MULLEN
John (Université Paris-Est Créteil)
The Campaign for “Respectability” in British Music Hall 1900-1920:
a
Campaign against Antisocial Behaviour?
Defending
respectability and denouncing vulgarity in early 20th century music hall
In the
early twentieth century, the generalized and even obsessive search for
“respectability”
and the denunciation of “vulgarity” as a significant threat to society
can be
considered to be a type of campaign against anti-social behaviour, and
the
century’s distance we have to look upon it now may help us see its
ideological
nature more clearly.
The
campaign for respectability was particularly present in the music-hall,
a
working-class entertainment trying hard, with some success, to move
up-market.
The danger of “vulgarity” was ever-present and was a particular worry
to
upwardly-mobile music-hall managers and stars determined to join the
elite of
society, to do which impeccable respectability was compulsory.
Our
contribution will look at different aspects of this campaign for
respectability
in the music halls. We will concentrate particularly on the period of
the First
World War, where the contrast between official repectable morality and
real
social practice was particularly striking, since enthusiastic support
for the
war was as much a part of being respectable as avoiding swearing in
front of
ladies.
John Mullen,
maître de conférences à l’Université de
Paris-Est Créteil, a fait sa thèse sur le syndicalisme
des fonctionnaires en
Grande-Bretagne sous les gouvernments Thatcher-Major. Il travaille
actuellement
sur l’histoire de la musique populaire britannique et prépare un
livre sur le
music-hall.